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| - | First idea (now changed): | + | I was **struggling to find a tool**. Everything felt like just another object designed for the human body (either overly elitist, highly technical, or overloaded with funcionalities. So I started wondering, what if we used the **body** itself as the **tool**, as the work? |
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| - | <del>I was **struggling to find a tool**. Everything felt like just another object designed for the human body (either overly elitist, highly technical, or overloaded with funcionalities. So I started wondering, what if we used the **body** itself as the **tool**, as the work? | + | |
| We tend to do everything with our hands and think of them as the most powerfull source for making. But then I started looking at my **feet**, the ones that have carried my entire body since I was 15 months old, when I first learned to walk with only two points of support. | We tend to do everything with our hands and think of them as the most powerfull source for making. But then I started looking at my **feet**, the ones that have carried my entire body since I was 15 months old, when I first learned to walk with only two points of support. | ||
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| My main objectives are to understand and explore the relationship between **feet**, **objects** and **communities**, | My main objectives are to understand and explore the relationship between **feet**, **objects** and **communities**, | ||
| - | [[http:// | + | [[http:// |
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| - | **The Kitchen as Open-Source: | + | |
| - | **Recipe Book / Cookbook**: A book of instructions explaining how to prepare and cook various kinds of food. A way to share knowledge, to transmit ways of doing — but also an intergenerational artifact. | + | |
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| - | * Nandu Jubany (different formats of explaining a recipe) | + | |
| - | * Yotam Ottolenghi (emotional aspect, experience) | + | |
| - | * Ferran Adrià (community, large groups) | + | |
| - | * Sa cuina des poble de Menorca (variations of a recipe) | + | |
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| - | **Language**: | + | |
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| - | Language plays a key role in a recipe: it is the narrator guiding us into action. In The Craftsman, Richard Sennett discusses instructions and the challenges of following them, given the lack of feedback between the book and the cook, as well as the difficulty of coordinating words and gestures. The experience level of the cook deeply influences how a recipe is interpreted and executed. He introduces the theme “expressive instructions”. | + | |
| - | At the same time, Frank Wilson, in Gesture and the Nature of Language, writes about how bodily movement is the foundation of language, and how "the experiences of touch and pressure give language its directive power." | + | |
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| - | **Approach** | + | |
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I want to explore this theme through the **recipe books of my great-grandmother and grandmother**, | + | |
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| - | Additionally, | + | |
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