Everyone is familiar with brushes. They are among the oldest tools known to humankind and have remained fundamentally unchanged in their structure for thousands of years. Brushes are used in a wide range of fields, including art, craftsmanship, beauty, personal care and cleaning.
But what happens when we start to question the brush as we know it?
I began asking myself
How can I use a brush differently?
How does the brush influence my outcome?
Does a brush always have to follow its traditional shape?
How does an altered form affect the law of the instrument?
What can I discover by taking a brush apart?
Through exploring these questions, I aim to rethink the brush not just as a tool, but as an extension of the body, of movement and of intention. This process invites a reconsideration of form, function and familiarity, opening new possibilities for expression and interaction.